1985 Vintage Haida Triptych Serigraph Set Don Yeomans Edition of 199

Description

Haida artist Don Yeomans was influenced by the triptychs of European art, so decided to create a Northwest Coast Haida version. Each print is signed and numbered from an edition of 199, and each one measures 22" tall by 10" wide. There are three designs: 'Frog and Bear', 'Raven and Moon', and 'Volcano Woman'. These are all figures that play prominent roles within Haida legend and culture.
Bear is known for his knowledge and teaching, and Frog is often associated with communication. They are paired here so Frog can teach the stories and legends to the people.
The story of Raven and the Moon varies within different West Coast First Nations cultures. In Haida mythology, Moon was stolen by Raven, and kept in a box for a long period of time. It was subsequently released for the benefit of Humankind. In this way, Raven is seen as both a trickster and a creator figure.
Volcano Woman is a mythological figure who originates from northern BC and Haida Gwaii. She is a symbol of the land and is closely associated with Frog, who acts as her familiar and communicates her messages. In one myth, Volcano Woman materializes and destroys an entire village over the senseless killing of a single frog. She is a maternal figure, but she is also a powerful and often vengeful figure too.
Don carves jewellery in gold and silver, and he also produces limited edition prints, poles and sculptures in wood and glass. He was introduced to Northwest Coast art by artist Freda Diesing (deceased) and in 1976 he studied at Langara College in the Fine Arts program. Don then apprenticed under Robert Davidson. Don’s design “The Frog People Fleeing from the Black Bear” was chosen to be included in the Northwest Coast Indian Artists’ Guild graphic collection. In 1978, he helped Davidson produce four totem poles for the Charles Edenshaw Memorial Longhouse in Masset, B.C. In the 1980s, Don completed a two-year apprenticeship with celebrated Gitksan artist, Phil Janze. He learned engraving, chasing, casting and repousse techniques during this time. In 2007, Don received a large commission to create a 40-foot totem pole at the Vancouver International Airport. In 2008, he carved a 20' totem for the McMichael Gallery's permanent collection which interwove traditional iconography and totemic animals with different modern modes of communication including a cell phone, laptop and an MP3 player. Don has become one of the most accomplished Haida artists working today.